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Fresh insights into how the Arts and Culture make for better living

Claire Parker
London, UK
Queen Elizabeth I’s Armada Speech of 1588: An Insight into the Accuracy of the Historical Record

Roberta Guarini
Brighton and Hove, UK
The Epidemiological Transition and Health Inequality in India

Ciara Chick
London, UK
Aldous Huxley’s ‘Brave New World’ (1932) — Inexorable Science and the Contradiction of Being Human

Holly Faulkner
Colwyn Bay, UK
John Keats’s ‘Ode on a Grecian Urn’ (1820) — Ekphrasis as a Vessel of Impossibility

Rosie Robinson
Norwich, UK
Kara Walker’s ‘A Subtlety’ (2014) — The Plantation Legacy in Contemporary America

Alex Jamieson
Sheffield, UK
Flann O’Brien’s ‘The Third Policeman’ (1939–40) — Colonial Legacy and Stasis in Post-Independence Ireland

Safiyyah Ali
London, UK
The Ground beneath the Stars above

Jemma Stewart
Bristol, UK
Animal Like Them

Julius Kasobya
London, UK
Religious Symbolism, Islamic Head Coverings and Laïcité in France

Paula Smith
Edinburgh, UK
A Moment of Insecurity

Mercedes Green
London
In the Skin of a Lion (1987) by Michael Ondaatje (Review)

Nawfal Khmirau
Berlin, Germany
Walter Harris and the Amazigh: A Nineteenth Century Insight into Morocco

Harriet Bews
London
The Art of Mental Trauma: Max Beckmann’s Wartime Prints

Mariam Mohana
Ashford, UK
The Old Flame Tree of Cairo

Deepa Srivastava PhD
Chennai, Tamil Nadu, India
Celebrating Holi, The Festival of Colours — Lingering Echoes from Childhood

Harry Hudson
London, UK
The Limits of International Justice: The 1948 Genocide Convention and the Persistent Failure to Prevent Mass Atrocities

Rosie Green
London, UK
Modern Perceptions of Epileptics as the ‘Other’ and its Victorian Roots

Claire Woods
Birmingham
A Poorly Received Masterpiece: Zora Neale Hurston’s ‘Their Eyes Were Watching God’

Judith Kuthy
Vienna
Emil Nolde and Antisemitism: Separating Art from its Historical Context

Eleanor Firth
Sheffield
The Abramtsevo Estate and the Origins of the Russian Arts and Crafts Movement

Emily Rizzotti
London, UK
Trading My Fire for Smoke

Milagros Tomasi
Zwolle, Netherlands
A Faraway Autumn

Dennis Sun
London, UK
Agnes Martin, ‘The Islands’ (1961), and the Depiction of Perfection

Clemmie Melvin
London, UK
Frida Kahlo’s ‘The Broken Column’ — Framed in Surrealism, Rooted in Reality

Marc Ainge
Hertford, UK
The Bitter Dawn: British Writers and Artists, Idealism, and the Spanish Civil War

Holly Rowe
London
Social Control in 17th Century France: Life at Louis XIV’s Versailles

Dido Gompertz
London, UK
Masuji Ibuse’s ‘Black Rain’ (1965) and Atomic Bomb Trauma in Postwar Japan

Ryoko Umemoto
Edinburgh, UK
The Duality of Talos in Apollonius of Rhodes’s ‘Argonautica’

Anonymous
London, UK
Vestiges of a Love Remembered

Kathryn Elliott
Norwich, UK
The Museum Building as Object — Daniel Libeskind and the Imperial War Museum North

Arielle Jasiewicz-Gill
London, UK
Chaste Ideals: Rendering Female Pubic Hair in European Art

Kelly Yerby
London, UK
As Mad as Van Gogh: The Artist & I

Giulia Guasparri
London, UK
The Renaissance Bottega and Intergenerational Skill Transfer through the Hand of the Master

Rami Barhoumi
Cambridge
Thomas Nagel’s ‘The Absurd’ (1971)

Isobel Sherlock
London
Neanderthals - the Unexpected Artists

Aisling Larkin
Grays, UK
Unexpected Companionship in Varanasi

Miranda Hartley
Edinburgh, UK
Growing up with ‘Harry Potter’ (1997–2007) — JK Rowling’s Rendering of a Bildungsroman

Christina Apostolidou
London
Manet’s Olympia and the Image of the Woman in Second Empire France

Harry Morris
London, UK
George Orwell’s ‘The Road to Wigan Pier’ (1937) — An Evocative Portrayal of Northern Working-Class Life

Steven (Nick) Jones
Llanelli, UK
A Portrait of the Artist in the Company of His Creations (2023)

Sara Abdulsalam
London, UK
Hagia Sophia and the Significance of Circularity in Sacred Architecture

Emily Blacker
London, UK
King Sejong and the Origins of the Hangul Writing System

Samuel Cunha
London, UK
The German Roots of Brazilian Dance Forms: The ‘Schottische’ and the ‘Xote’

Penny Francis MBE
London, UK
The Essence of Puppetry

Justine Robinson
Nottingham
The Spares of England’s Monarchy: Men not Born to be King

Anna Phillips
London, UK
Anthony Burgess’s ‘A Clockwork Orange’ — An Unresolved Characterisation

Mary O’Reilly
Glasgow, UK
In Search of the Oracle in Changing Times

Abigail Richardson
Sheffield, UK
Lieu de Mémoire: Miyazaki’s ‘Laputa: Castle in the Sky’ (1986) and the Welsh Miners’ Strike

Katie Miles
London
The History of the Creole Language in Martinique

Nick Vant
London, UK
Last Stand of French Indochina: The Battle of Điện Biên Phủ

Irantzu Pérez Arribas
London
The Practice of Mulatśago among Hungarian Vlach Gypsy Men and its Impact on Gender Equality

Orla Fitzsimmons
London, UK
More than just a Game — The Socio-Political Roots of ‘The Old Firm’ Rivalry Between Rangers and Celtic

Sam Myhill
London, UK
Bullfighting and Independence in Catalonia

Antonia Dalivalle
London
Surrealism vs the Computer: Harnessing the Power of Dreams

Michael Harris
London, UK
Prohibition in 1920s America — The Catalyst for a Now Romanticised Era

Georgina King
London
The Extravagant Art Form that is Japan's Kabuki Theatre

Helena Geddes
Montrose
The First World War, British Women and the Pub — A Turning Point

Amy Wallwork
London, UK
Sport and Conflict — Colombia’s Troubled Past and their 2014 Football World Cup Run

Mrinalini Mishra
London, UK
Reichardt’s ‘Certain Women’ (2016): On Slow Cinema and the Liminal Spaces of Everyday Female Experience

Paul Tomlinson
Edinburgh, UK
Woodrow Wilson’s European Legacy versus the Erosion of Goodwill Domestically

Amelia Gavin
London
La Bonne Femme and la Mauvaise Femme: Women in Racine’s ‘Phèdre’ (1677)

Naomi Farhi
London
Almodóvar and Women

Paddy Martin
Manchester
Anti-Bourgeois Sentiment and Dada in First World War Berlin

Nick Benton
London, UK
Alfred Hitchcock and the Use of Subjective Camera in ‘Vertigo’

Elisabeth Leibnitz
Greifswald, Germany
The Noble Savage in Karl May’s ‘Winnetou Series’ (1893–1910) and James Fenimore Cooper’s ‘Leatherstocking Tales’ (1823–1841)

Lizzie Gray
Glasgow, UK
Between Modernism and Postmodernism: Alasdair Gray’s ‘Poor Things’ (1992) and the Second Scottish Literary Renaissance

Belinda Robinson DPhil
London, UK
Ferenc Erkel and the Birth of Hungarian Opera

Inès Stamatiadis
London, UK
Gérard Rancinan’s ‘La liberté dévoilée’ (2008) and the French Constitution

Isobel Hall
Brighton and Hove, UK
The Art of Tracey Emin: Confession, Intimacy, and the Reclamation of Female Experience

Rhyd Murphy
Cardiff, UK
Life Beyond Care

Holly Mackinley
London
Marcel Carné and the Second World War

Heidi Pyper
Exeter, UK
National Winnie The Pooh Day 2024

Àngela Pous
Canillo, Andorra
The Underground Railroad in 19th-Century America and the Role of Culturally Unique Conceptual Metaphors

Sally Holden
Banbury, UK
Velázquez’s ‘Las Meninas’ (1656): An Insight into the Societal Status of the Early Modern Court Artist

Elizabeth Rogers
London
The Natural Appeal of Jackson Pollock's Drip Paintings

Anna Middleton
London
The Artist and the Actress: Alphonse Mucha’s Art Nouveau Posters

Andrea Sasia
Wasquehal, France
Listening Beyond Human Frequencies: Indigenous Epistemologies and Artificial Intelligence

Gemma Campbell
London
Virginia Woolf and the Novel as the Unconscious and Intrinsic Experience of Life

Bede Ehiogu
London, UK
Chinua Achebe’s ‘Arrow of God’ (1964): An Insight into the Dynamics of Societal Collapse

Cameron Kirby
Stratford-upon-Avon, UK
The Ephemeral Body: Ritual, Identity and the Elemental in Ana Mendieta’s ‘Siluetas’ (1973–1980)

Georgia Britton
Warrington, UK
Communism and Caste in Arundhati Roy’s ‘The God of Small Things’

Ashley McPhee
Glasgow, UK
The Mythologisation of the ‘Blitz Spirit’ and its Cultural Legacy

Jamie Riley
Woking, Surrey, UK
Robert Frost’s ‘The Road Not Taken’ (1916) through the Lens of Jamesian Pragmatism

Noel Abrahams
London, UK
Kulu Natuma - The Harvest Dance of Sri Lanka

Annabel Jackson
London, UK
Lee Chang-dong’s ‘Burning’ (2018) — Hell Joseon and Social Inequality in Contemporary South Korea

Tom MacKinnon
London, UK
The Sleep of Reason Produces Monsters: The Enlightened Romanticism of Francisco Goya

Kenyon Whitehead
London, UK
The Homeric Question

Gemma Unyereno
London, UK
Percy Shelley — A Radical Life

Amirah Muhammad
London, UK
Mary Seacole and her Wonderful Adventures — A Voice from the Margins of Victorian Society

Zeckrin Rahman
Singapore
Set Free by Language: Revisiting Humboldt’s Distinction between Linguistic Structure and Conceptualisation

Uma Ramachandran
London
Simone de Beauvoir’s Existential Feminism

Mara Fasano
London, UK
The Evolution of Italy’s ‘Bella Ciao’ — The Intrinsic Appeal of Folk Song as Anthems of Resistance

Hannah Megaw
Leeds, UK
Marie Taglioni, La Sylphide, and Ballet’s Romantic Awakening

Mia Gazza
London, UK
Haunted by Memory: Neo-Gothic Anxieties in Kazuo Ishiguro’s ‘Never Let Me Go’ (2005)

Tara Vala
London, UK
The ‘Sad Girl’ and ‘Brat Girl Summer’ Phenomena: Femininity, Rebellion, and Identity Formation in Contemporary Digital Culture

Simon Thompson
London, UK
John Woo and the Origins of Heroic Bloodshed

Suneel Mehmi
London, UK
Cassettes from Green Street: A Love Affair with Hindi Music

Lauren Riddell
London
Grant Allen’s Ambivalent Response to the New Woman

Jessica Naden Batten
London, UK
Agnès Sorel — Fashion and Influence in the French Court

Dominic Rushton
London
The Iconic Poster of Dorie Miller

Nejla Karić
London
The Symbiosis of Social Media and the Arts in Contemporary Music

Francesca Sassi
London
The Influences of Cosmological Poems on Dostoevsky’s Masterpieces

Isabella Barber
Manchester
Marginalised Communities and the Origins of Berlin’s Nightclubs

Elizabeth Hopkins
London, UK
William Jones and the Origins of Indo-European Studies

Laetitia Inett
London, UK
The Catholic Counter-Reformation and Italian Baroque Art

Megan Stockhill
Newtownards, UK
From the Fauves to the Salons of Social Media: The Cultural Politics of Colour

Felix Cole
London, UK
The Shakespearean Fool and its Modern Counterpart — An Insight into Societal Rules

Olivia Carlin
London
Elizabeth I and the Propaganda of Portrait Miniatures

Liam Springate-Jones
London
Oscar Niemeyer: Sensuality in Architecture

Josef Steen
London, UK
Martin Hägglund’s ‘Radical Atheism’ (2008) — Confronting the Problem of Eternal Life

Grace Varty
London
Cat Cafés and the Phenomenon of Iyashi in Contemporary Japan

Conor Lewis
London, UK
Filial Piety in Modern Chinese Society

Sahil Gufar
Manchester, UK
Navigating the Political City: Psychogeography, Regeneration, and Urban Memory — A Case Study of Manchester

Helen Tanner
London
Roosevelt’s Fireside Chats: The Use of Radio During the Great Depression

Rose Cleary
London
The Problematic Relationship between Suffragism, Colonialism and Universal Equality

Elise Czyzowska
London, UK
Writing a Modern Ireland: James Joyce’s ‘A Portrait of the Artist as a Young Man’ (1916)

Benjamin Lam
London, UK
‘Lady Susan’ (1794): An Early Insight into Jane Austen’s Views on Marriage and Morality

Jodie Merritt
London
Gin Lane - Georgian Society According to Hogarth

Katerina Koukouthaki
London
Modern City Living in a Brutalist Setting: London’s Barbican Estate

Catriona Hosie
London, UK
Getúlio Vargas and the Role of Samba in the Formation of Brazilian National Identity

Meera Mohanraj
London, UK
A House Called Repose

Charles Blummers
Exeter, UK
Anicius Boethius on the Conflict Between Divine Foreknowledge and Human Free Will

Tim Spalding
London, UK
Channel 4’s ‘Benefits Street’ (2014) — Documentary and Subjectivity

Amy Bensley
London
God, King and Cromwell: Regicide and Providence in Early Modern England

Emily Adams
London, UK
Nazi Anti-Smoking Campaigns: Good Science in a Tyranny

Edward Davies
London
Alone on a Mountain Top: Nietzsche’s Challenging View of Humanity

Eleanor Garibaldi
Newcastle upon Tyne, UK
Tayeb Salih’s ‘Seasons of Migration to the North’ (1966) — The Fragmentation of Identity when Two Cultures Collide

Alex Waite
London
Sport Commentary on Radio in Britain: How England v Wales (1927) Paved the Way for Public Access to Sport

Florence Gildea
London, UK
The Diptych of Martin Luther and Katharina von Bora: Portraying the Sanctity of Marriage

Emma Smith BA (Hons)
London, UK
Emily Brontë’s ‘Wuthering Heights’ (1847) — A Portrayal of the Inequalities of Marriage for Victorian Women

Ellie Blamires
London, UK
Arnold Schoenberg and Wassily Kandinsky: The Collapse of Tonality and the Birth of the Abstract

Sophie Adams
London, UK
‘The Saint-Gaudens on Boston Common’ — Charles Ives’s use of Musical Quotation

Ugnė Civilyte
London, UK
Self-renewal and Victorian Reality in William Holman Hunt’s ‘The Awakening Conscience’ (1853)

Salvi Shahlaie
London
Sapiens: a Brief History of Humankind (Review)

Ines Azevedo
London, UK
Existential Choice and Invisible Lives in Clarice Lispector’s ‘The Hour of the Star’ (1977)

Sameera Khan Rehmani
London, UK
‘Do Bigha Zamin’ (1953) — A View of Post-Independence India through the Lens of Italian Neorealism

Charlotte Husnjak
London, UK
Danganronpa: An Insight into the Political Use of Rhetoric in Modern Society

Cristina Mejia
Lamego, Portugal
A Morning Climb by Crozon Beach

Ashly Cork
London
The Jamaican Bandana: Reclaiming Remnants of a Troubled History

William Evans
London, UK
The Avant-Garde Novels of Muriel Spark — Finding Truth Beyond Realism

Lorella Fava
London
Harold Pinter’s ‘The Birthday Party’ — A Failed Attempt at Individuality

Shirui Chen
London, UK
Rice Farming and the Collectivist Impulse in Southern China

Jamie Clarke
Swindon, UK
Sound in Frances O’Connor’s ‘Emily’ (2022) — The Art of Characterisation through Sound Design

Satkartar Chaggar
London
The Last Sikh Maharajah and Victorian Representations of the Exotic

Matthew Ham
York, UK
The Paradox of Simón Bolívar: Realpolitik and the Ideal of Freedom in the Jamaica Letter (1815)

Natalia Hedges
London
The Legacy of Hilla von Rebay’s Mission to New York

Lola Beal
London, UK
Gambling During the Time of Charles I and its Representation on the Caroline Stage

Siobe Morling
London, UK
Helen of Troy: Her Portrayal in the Iliad, Odyssey, and Aeneid

Sami Ansari
London, UK
The Practice of Communal Meals in Islamic Societies

Ella Mallozzi
London, UK
Benvenuto Cellini’s ‘Perseus with the Head of Medusa’ (1554) — Renaissance and Mannerism

Zoe Willis
London, UK
Céline Sciamma and the Male Gaze in Cinema

Jemima Seals
London, UK
Emily Dickinson’s ‘Apparently with no surprise’: A Poetic Rejection of Predestination and Mortality






























