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Fresh insights into how the Arts and Culture make for better living

Claire Parker
London, UK
Queen Elizabeth I’s Armada Speech of 1588: An Insight into the Accuracy of the Historical Record

Roberta Guarini
Brighton and Hove, UK
Tell Me What’s Out There (2024)

Ciara Chick
London, UK
Aldous Huxley’s ‘Brave New World’ (1932) — Inexorable Science and the Contradiction of Being Human

Holly Faulkner
Colwyn Bay, UK
John Keats’s ‘Ode on a Grecian Urn’ (1820) — Ekphrasis as a Vessel of Impossibility

Rosie Robinson
Norwich, UK
Kara Walker’s ‘A Subtlety’ (2014) — The Plantation Legacy in Contemporary America

Alex Jamieson
Sheffield, UK
Flann O’Brien’s ‘The Third Policeman’ (1939–40) — Colonial Legacy and Stasis in Post-Independence Ireland

Safiyyah Ali
London, UK
The Ground beneath the Stars above

Jemma Stewart
Bristol, UK
Burma versus Myanmar — A Brief History of a Country’s Name

Julius Kasobya
London, UK
Religious Symbolism, Islamic Head Coverings and Laïcité in France

Paula Smith
Edinburgh, UK
A Moment of Insecurity

Mercedes Green
London
This is England (2006), Shane Meadows (Review)

Nawfal Khmirau
Berlin, Germany
Walter Harris and the Amazigh: A Nineteenth Century Insight into Morocco

Harriet Bews
London
The Art of Mental Trauma: Max Beckmann’s Wartime Prints

Mariam Mohana
Ashford, UK
The Old Flame Tree of Cairo

Deepa Srivastava PhD
Chennai, Tamil Nadu, India
Tamil Nadu’s Auroville, Mirra Alfassa, and the Philosophy of Sri Aurobindo

Harry Hudson
London, UK
The Limits of International Justice: The 1948 Genocide Convention and the Persistent Failure to Prevent Mass Atrocities

Rosie Green
London, UK
Modern Perceptions of Epileptics as the ‘Other’ and its Victorian Roots

Claire Woods
Birmingham
Claude McKay’s ‘If We Must Die’: The spark that Ignited the Harlem Renaissance

Judith Kuthy
Vienna
Emil Nolde and Antisemitism: Separating Art from its Historical Context

Eleanor Firth
Sheffield
The Abramtsevo Estate and the Origins of the Russian Arts and Crafts Movement

Emily Rizzotti
London, UK
Trading My Fire for Smoke

Milagros Tomasi
Zwolle, Netherlands
A Faraway Autumn

Dennis Sun
London, UK
Agnes Martin, ‘The Islands’ (1961), and the Depiction of Perfection

Clemmie Melvin
London, UK
Frida Kahlo’s ‘The Broken Column’ — Framed in Surrealism, Rooted in Reality

Marc Ainge
Hertford, UK
The Bitter Dawn: British Writers and Artists, Idealism, and the Spanish Civil War

Holly Rowe
London
Social Control in 17th Century France: Life at Louis XIV’s Versailles

Dido Gompertz
London, UK
Masuji Ibuse’s ‘Black Rain’ (1965) and Atomic Bomb Trauma in Postwar Japan

Ryoko Umemoto
Edinburgh, UK
The Duality of Talos in Apollonius of Rhodes’s ‘Argonautica’

Anonymous
London, UK
Vestiges of a Love Remembered

Kathryn Elliott
Norwich, UK
The Museum Building as Object — Daniel Libeskind and the Imperial War Museum North

Arielle Jasiewicz-Gill
London, UK
The Portrait of Guidobaldo della Rovere by Agnolo Bronzino (1532)

Kelly Yerby
London, UK
London Film and Comic Con 2021 — One of the Best Days of My Life

Giulia Guasparri
London, UK
The Renaissance Bottega and Intergenerational Skill Transfer through the Hand of the Master

Rami Barhoumi
Cambridge
Galen Strawson’s Basic Argument — Does Free Will Exist?

Isobel Sherlock
London
Ospedali Grandi: the Charitable Hospices of Venice

Aisling Larkin
Grays, UK
An Introvert’s Guide to India

Miranda Hartley
Edinburgh, UK
Gothic Realism in Daphne du Maurier’s ‘Rebecca’ (1938)

Christina Apostolidou
London
Antonio Canova and the Myth of Cupid and Psyche

Harry Morris
London, UK
George Orwell’s ‘The Road to Wigan Pier’ (1937) — An Evocative Portrayal of Northern Working-Class Life

Steven (Nick) Jones
Llanelli, UK
A Portrait of the Artist in the Company of His Creations (2023)

Sara Abdulsalam
London, UK
Hagia Sophia and the Significance of Circularity in Sacred Architecture

Emily Blacker
London, UK
King Sejong and the Origins of the Hangul Writing System

Samuel Cunha
London, UK
The German Roots of Brazilian Dance Forms: The ‘Schottische’ and the ‘Xote’

Penny Francis MBE
London, UK
The Essence of Puppetry

Justine Robinson
Nottingham
Emotionally Absent Parents in Jane Austen’s Novels

Anna Phillips
London, UK
Mary Shelley’s ‘Frankenstein’ (1818)

Mary O’Reilly
Glasgow, UK
Cassandra and the Oracle at Delphi — Unearthing the Ancient Distrust of the Female Voice

Abigail Richardson
Sheffield, UK
Lieu de Mémoire: Miyazaki’s ‘Laputa: Castle in the Sky’ (1986) and the Welsh Miners’ Strike

Katie Miles
London
Subak - The Ancient Practice Underlying the Water Temples of Bali

Nick Vant
London, UK
The Story of Anak Cu Chiang: Caught in the Crossfire of the Vietnam War

Irantzu Pérez Arribas
London
The Practice of Mulatśago among Hungarian Vlach Gypsy Men and its Impact on Gender Equality

Orla Fitzsimmons
London, UK
More than just a Game — The Socio-Political Roots of ‘The Old Firm’ Rivalry Between Rangers and Celtic

Sam Myhill
London, UK
Bullfighting and Independence in Catalonia

Antonia Dalivalle
London
Giotto’s Fly and the Birth of the Renaissance

Michael Harris
London, UK
Prohibition in 1920s America — The Catalyst for a Now Romanticised Era

Georgina King
London
K-pop and the Cultural Representation of South Korea

Helena Geddes
Montrose
The First World War, British Women and the Pub — A Turning Point

Amy Wallwork
London, UK
Sport and Conflict — Colombia’s Troubled Past and their 2014 Football World Cup Run

Mrinalini Mishra
London, UK
Reichardt’s ‘Certain Women’ (2016): On Slow Cinema and the Liminal Spaces of Everyday Female Experience

Paul Tomlinson
Edinburgh, UK
Woodrow Wilson’s European Legacy versus the Erosion of Goodwill Domestically

Amelia Gavin
London
La Bonne Femme and la Mauvaise Femme: Women in Racine’s ‘Phèdre’ (1677)

Naomi Farhi
London
Almodóvar and Women

Paddy Martin
Manchester
Anti-Bourgeois Sentiment and Dada in First World War Berlin

Nick Benton
London, UK
The Dominant Mother Motif in Alfred Hitchcock’s Films

Elisabeth Leibnitz
Greifswald, Germany
The Noble Savage in Karl May’s ‘Winnetou Series’ (1893–1910) and James Fenimore Cooper’s ‘Leatherstocking Tales’ (1823–1841)

Lizzie Gray
Glasgow, UK
Between Modernism and Postmodernism: Alasdair Gray’s ‘Poor Things’ (1992) and the Second Scottish Literary Renaissance

Belinda Robinson DPhil
London, UK
Giuseppe Verdi’s ‘Don Carlos’ (1867), Pope Pius IX, and Italian Unification

Inès Stamatiadis
London, UK
Gérard Rancinan’s ‘La liberté dévoilée’ (2008) and the French Constitution

Isobel Hall
Brighton and Hove, UK
The Art of Tracey Emin: Confession, Intimacy, and the Reclamation of Female Experience

Rhyd Murphy
Cardiff, UK
Life Beyond Care

Holly Mackinley
London
Xiaogang Feng’s Youth (2017) (Review)

Heidi Pyper
Exeter, UK
The Poetry of Dylan Thomas: Nature, Humanity, and God

Àngela Pous
Canillo, Andorra
The Underground Railroad in 19th-Century America and the Role of Culturally Unique Conceptual Metaphors

Sally Holden
Banbury, UK
Velázquez’s ‘Las Meninas’ (1656): An Insight into the Societal Status of the Early Modern Court Artist

Elizabeth Rogers
London
Cornelia Parker’s Cold Dark Matter: an Exploded View

Anna Middleton
London
George Eliot’s Middlemarch and the Business of Bookselling in 19th Century England

Andrea Sasia
Wasquehal, France
Listening Beyond Human Frequencies: Indigenous Epistemologies and Artificial Intelligence

Gemma Campbell
London
Angela Carter's City of Beautiful Objects

Bede Ehiogu
London, UK
Chinua Achebe’s ‘Arrow of God’ (1964): An Insight into the Dynamics of Societal Collapse

Cameron Kirby
Stratford-upon-Avon, UK
The Ephemeral Body: Ritual, Identity and the Elemental in Ana Mendieta’s ‘Siluetas’ (1973–1980)

Georgia Britton
Warrington, UK
Communism and Caste in Arundhati Roy’s ‘The God of Small Things’

Ashley McPhee
Glasgow, UK
The Mythologisation of the ‘Blitz Spirit’ and its Cultural Legacy

Jamie Riley
Woking, Surrey, UK
Robert Frost’s ‘The Road Not Taken’ (1916) through the Lens of Jamesian Pragmatism

Noel Abrahams
London, UK
Osariya — The Kandyan Sari

Annabel Jackson
London, UK
Lee Chang-dong’s ‘Burning’ (2018) — Hell Joseon and Social Inequality in Contemporary South Korea

Tom MacKinnon
London, UK
The Sleep of Reason Produces Monsters: The Enlightened Romanticism of Francisco Goya

Kenyon Whitehead
London, UK
The Homeric Question

Gemma Unyereno
London, UK
The Theme of Love and Hate in John Polidori’s ‘The Vampyre’

Amirah Muhammad
London, UK
Mary Seacole and her Wonderful Adventures — A Voice from the Margins of Victorian Society

Zeckrin Rahman
Singapore
Set Free by Language: Revisiting Humboldt’s Distinction between Linguistic Structure and Conceptualisation

Uma Ramachandran
London
Simone de Beauvoir’s Existential Feminism

Mara Fasano
London, UK
The Evolution of Italy’s ‘Bella Ciao’ — The Intrinsic Appeal of Folk Song as Anthems of Resistance

Hannah Megaw
Leeds, UK
Marie Taglioni, La Sylphide, and Ballet’s Romantic Awakening

Mia Gazza
London, UK
Haunted by Memory: Neo-Gothic Anxieties in Kazuo Ishiguro’s ‘Never Let Me Go’ (2005)

Tara Vala
London, UK
The ‘Sad Girl’ and ‘Brat Girl Summer’ Phenomena: Femininity, Rebellion, and Identity Formation in Contemporary Digital Culture

Simon Thompson
London, UK
Stanley Kubrick’s Unrealised Film Project ‘Napoleon’ — The Cost of Perfectionism amidst the Shifting Sands of Hollywood

Suneel Mehmi
London, UK
Cassettes from Green Street: A Love Affair with Hindi Music

Lauren Riddell
London
Alexander Pope: Grievous Disability and Inspired Writing

Jessica Naden Batten
London, UK
John Locke and Rousseau: Changing Attitudes to Childhood and Depictions in Art

Dominic Rushton
London
The Iconic Poster of Dorie Miller

Nejla Karić
London
Sofia Coppola’s Cinema: Juxtaposing Feminine Style with Feminist Reality

Francesca Sassi
London
A Feminist Criticism of Fairy Tales: Angela Carter’s “The Bloody Chamber” (Review)

Isabella Barber
Manchester
The Myth of Medusa in Art and Popular Culture

Elizabeth Hopkins
London, UK
Unearthing Traces of the Lost Culture of the Anglo-Saxon Pagans through Place-Name Study

Laetitia Inett
London, UK
The Catholic Counter-Reformation and Italian Baroque Art

Megan Stockhill
Newtownards, UK
From the Fauves to the Salons of Social Media: The Cultural Politics of Colour

Felix Cole
London, UK
The Shakespearean Fool and its Modern Counterpart — An Insight into Societal Rules

Olivia Carlin
London
Victor Margueritte's La Garçonne: Redefining Feminine Identity in the 1920s

Liam Springate-Jones
London
Oscar Niemeyer: Sensuality in Architecture

Josef Steen
London, UK
Roland Barthes’s ‘Mythologies’ (1957) — The Making of Modern Myths

Grace Varty
London
Cat Cafés and the Phenomenon of Iyashi in Contemporary Japan

Conor Lewis
London, UK
The Role of the Teahouse in Chinese Society

Sahil Gufar
Manchester, UK
Navigating the Political City: Psychogeography, Regeneration, and Urban Memory — A Case Study of Manchester

Helen Tanner
London
Roosevelt’s Fireside Chats: The Use of Radio During the Great Depression

Rose Cleary
London
The Problematic Relationship between Suffragism, Colonialism and Universal Equality

Elise Czyzowska
London, UK
Stream of Consciousness and Paranoia in James Joyce’s ‘Ulysses’ (1922)

Benjamin Lam
London, UK
‘Lady Susan’ (1794): An Early Insight into Jane Austen’s Views on Marriage and Morality

Jodie Merritt
London
Gin Lane - Georgian Society According to Hogarth

Katerina Koukouthaki
London
The Isle of Dogs Storm Water Pumping Station: A Temple to Postmodernism

Catriona Hosie
London, UK
Getúlio Vargas and the Role of Samba in the Formation of Brazilian National Identity

Meera Mohanraj
London, UK
A House Called Repose

Charles Blummers
Exeter, UK
Anicius Boethius on the Conflict Between Divine Foreknowledge and Human Free Will

Tim Spalding
London, UK
Channel 4’s ‘Benefits Street’ (2014) — Documentary and Subjectivity

Amy Bensley
London
The Elizabethan Holy Communion: Interpretation, Dissension and the Law

Emily Adams
London, UK
Nazi Anti-Smoking Campaigns: Good Science in a Tyranny

Edward Davies
London
Alone on a Mountain Top: Nietzsche’s Challenging View of Humanity

Eleanor Garibaldi
Newcastle upon Tyne, UK
Tayeb Salih’s ‘Seasons of Migration to the North’ (1966) — The Fragmentation of Identity when Two Cultures Collide

Alex Waite
London
The Factory Act of 1850 and the Origins of Saturday Afternoon Football in Britain

Florence Gildea
London, UK
An Early Modern Business Card: Albrecht Dürer’s ‘Self-Portrait with Fur Collar’ (1500)

Emma Smith BA (Hons)
London, UK
Independent Women and the Business of Marriage in Jane Austen’s ‘Pride and Prejudice’ (1813)

Ellie Blamires
London, UK
Arnold Schoenberg and Wassily Kandinsky: The Collapse of Tonality and the Birth of the Abstract

Sophie Adams
London, UK
‘The Saint-Gaudens on Boston Common’ — Charles Ives’s use of Musical Quotation

Ugnė Civilyte
London, UK
Self-renewal and Victorian Reality in William Holman Hunt’s ‘The Awakening Conscience’ (1853)

Salvi Shahlaie
London
The Qajar Dynasty (1785-1925)

Ines Azevedo
London, UK
Existential Choice and Invisible Lives in Clarice Lispector’s ‘The Hour of the Star’ (1977)

Sameera Khan Rehmani
London, UK
‘Do Bigha Zamin’ (1953) — A View of Post-Independence India through the Lens of Italian Neorealism

Charlotte Husnjak
London, UK
Playbour — Explaining the Success of Nintendo’s Animal Crossing: New Horizons (2020) During the COVID-19 Pandemic

Cristina Mejia
Lamego, Portugal
A Morning Climb by Crozon Beach

Ashly Cork
London
Segregation in Harlem and the Roots of the Rastafari Movement

William Evans
London, UK
The Avant-Garde Novels of Muriel Spark — Finding Truth Beyond Realism

Lorella Fava
London
Waiting for Godot and the Harsh Realities of the Postmodern State

Shirui Chen
London, UK
Rice Farming and the Collectivist Impulse in Southern China

Jamie Clarke
Swindon, UK
Sound in Frances O’Connor’s ‘Emily’ (2022) — The Art of Characterisation through Sound Design

Satkartar Chaggar
London
The Cultural History of Phulkari and its Role in Punjabi Marital Rites

Matthew Ham
York, UK
The Paradox of Simón Bolívar: Realpolitik and the Ideal of Freedom in the Jamaica Letter (1815)

Natalia Hedges
London
Hilma af Klint’s Abstract Art that Predates the Earliest Known Works in the Genre

Lola Beal
London, UK
Gambling During the Time of Charles I and its Representation on the Caroline Stage

Siobe Morling
London, UK
Helen of Troy: Her Portrayal in the Iliad, Odyssey, and Aeneid

Sami Ansari
London, UK
The Practice of Communal Meals in Islamic Societies

Ella Mallozzi
London, UK
Benvenuto Cellini’s ‘Perseus with the Head of Medusa’ (1554) — Renaissance and Mannerism

Zoe Willis
London, UK
The Artist and the Journalist: Otto Dix’s Portrayal of Weimar Berlin’s New Woman

Jemima Seals
London, UK
Emily Dickinson’s ‘Apparently with no surprise’: A Poetic Rejection of Predestination and Mortality






























