In 1990, Shirin Neshat returned to Iran after 12 years of living in Los Angeles. Her homecoming sparked a yearning to explore Iranian femininity, as Iranian society had changed dramatically whilst she had been away.<br><br>Neshat focused her lens on Islamic culture, identity and women. The “Women of Allah” series developed as she explored the intricacies of the Iranian female living in post-revolution Iran. This series portrays women covered in black veils surrounded by Farsi poetry and wielding weapons. <br><br>In her artist statement, Neshat says:<br><br><blockquote>As the artist, I took on the role of performer, posing for the photographs. These photographs became iconic portraits of wilfully armed Muslim women. Yet every image, every women’s submissive gaze, suggests a far more complex and paradoxical reality behind the surface.</blockquote><br><br>For Neshat, the series provided a focus for her artistic expression, as she observes many components of her femininity and culture throughout her career. <br>